• Danysz Paris - Marais is pleased to present ‘‘Walk on Neon Arc,’’ the solo exhibition of the most active Chinese designer and visual artist in Germany at the moment: Wang Ruohan. After the success of her last solo exhibition presented by Danysz in Shanghai, the rising contemporary talent takes over the Parisian space of the gallery, from September 2 to 24, 2022, offering us a chance to get our fill of roaring colors with a series of bold and assertive paintings.


    “A curve can be thought of as a trajectory left by moving points.

    How can human feelings be moved and locked in.

    What traces can feelings leave on the whole human process.

    What is the ultimate meaning of the interweaving of psychology and physical existence in a human individual.

    I’m sure,

    human beings crave extreme pleasure and extreme indulgence.

    I often dream that I'm walking along a luminous arc,

    surrounded by a deep and clear monochrome colour.

    And ahead is the unknown opened by dreaming.”

    - Wang Ruohan

  •  

     "I want to bring the audience to a world of surreal perception. It’s not only about the color of neon, but how  humans drive the universe of perception, self-search and self expression." 

    - Wang Ruohan

  • Observing the mundane
    Wang Ruohan, Still life 2022, Acrylic on canvas, 30 x 40 cm

    Observing the mundane

    It is not uncommon for Wang Ruohan, during her day-to-day walks, to stop and sketch a suspended moment, an uncommon action or a special gesture that she has just observed and wishes to somehow, immortalize. Observing the world and the humans inhabiting it, is a part of her creative process. She finds great inspiration by being attentive to her surrounding, instants that she finds particularly "enjoyable and relaxing."

     

    "It’s so fun to observe people—whether they’re working or interacting with others," she explains. Therefore, many of the cheerful characters that invest her works directly derive from those specials memories of city life that she records and reinterprate on her canvas. From Wang's perspective, the most simple things, those that we don’t think are special, can actually be a source of artistic inspiration for her. As she says: "My work is about the simplistic nature of humankind."

     

    This is reflected in her playful simplification of objects and human behaviors. One of the most recurrent items in her vocabulary, a pair of walking legs, is evocative of the Chinese character , meaning Man or people, and acts as a symbolic shortcut for human nature and activity.

    • Wang Ruohan The Bait, 2021 Risograph printing on Munken Paper 300g 42 x 59.4 cm 16 1/2 x 23 1/2 in Edition of 40
      Wang Ruohan
      The Bait, 2021
      Risograph printing on Munken Paper 300g
      42 x 59.4 cm
      16 1/2 x 23 1/2 in
      Edition of 40
    • Wang Ruohan, A Tree means a Forest, 2019
      Wang Ruohan, A Tree means a Forest, 2019
    • Wang Ruohan, Daily 01, 2021
      Wang Ruohan, Daily 01, 2021
    • Wang Ruohan Me Dog in Dog year, 2018 Screen printing on Munken Paper 250g 28.9 x 41 cm 11 1/2 x 16 in Edition of 54
      Wang Ruohan
      Me Dog in Dog year, 2018
      Screen printing on Munken Paper 250g
      28.9 x 41 cm
      11 1/2 x 16 in
      Edition of 54
    • Wang Ruohan, Deconstruct the Daily, 2022
      Wang Ruohan, Deconstruct the Daily, 2022
    • Wang Ruohan Shortcut, 2020 Acrylic on canvas 50 x 70 cm 12 x 19 1/2 in
      Wang Ruohan
      Shortcut, 2020
      Acrylic on canvas
      50 x 70 cm
      12 x 19 1/2 in
    • Wang Ruohan Knight under the moon, 2022 Acrylic on canvas 40 x 30 cm 16 x 12 in
      Wang Ruohan
      Knight under the moon, 2022
      Acrylic on canvas
      40 x 30 cm
      16 x 12 in
    • Wang Ruohan, Horse and Sword , 2019
      Wang Ruohan, Horse and Sword , 2019
    • Wang Ruohan, Horse and Flower, 2019
      Wang Ruohan, Horse and Flower, 2019
    • Wang Ruohan, Daily 02 , 2021
      Wang Ruohan, Daily 02 , 2021
    • Wang Ruohan, Daily 03, 2021
      Wang Ruohan, Daily 03, 2021
    • Wang Ruohan, Me Dog, 2021
      Wang Ruohan, Me Dog, 2021
  • Exploring the surreal world
    Wang Ruohan, Reaching Peace, 2022, Acrylic on canvas, 200 x 200 cm
     

    Exploring the surreal world

    “I think reality can be recorded best by a camera, whereas surreality can only come from artworks. It seems like our duty to bring people from reality to surreality through art."
    - Wang Ruohan 

    Often described as “whimsical”, Wang’s universe explores what she calls “the surreal world of images in the deep level of human consciousness.” For the artist, Art’s prerogative is the pursuit of the surreal. She strives to transcribe in visual language a world of unspoken possibilities, an imaginary offshoot of contemporary life. 

     

     The paintress can be described as an explorer of the surreal, who finds components keys for her creations is an exercice that can sometimes require her to push her own limits. For instance, she likes to create at night, when everything outside is silent and that her body enters in a sensual state. She explains that she needs that psychological condition to somehow lose her mind to work for hours without taking any breaks. She then loses track of time. She confesses: "for my work, I think the surreal elements emerge when I try to go to the max—or get to a point where I feel sick and can’t do it anymore. It’s the best boundary for me in terms of creation."

  • " I like to create art at night, feeling that everything outside is silent, and the human body is in a sensual state late at night, just like writing love letters to my lover at night. I need that psychological condition to make me lose my mind and never stop working."
    - Wang Ruohan
  • CANVASES TO OPEN DREAMS
    Wang Ruohan, People under the tree, 2022, Acrylic on canvas, 100 x 150 cm

    CANVASES TO OPEN DREAMS

    Sounding just like an haïku, the title of the exhibition "Walk on neon arc" well reflects an other facet of the artist: Wang Ruohan writes  and paints poems. The paintress often delivers mystical poetry that can be read in light of her works. 
     
    With her words, Wang illustrates the state of contemplation one can find themself in while glancing at her soothing colored compositions, canvas that open to dreams. Having neither linear narratives nor cultural backgrounds or individual features, her paintings naturally lead to very personnal interpretations. Wang’s creations are out of the ordinary and cunning, full of absurdity and uncertainty, while also being fascinating and relaxing. As she explains, she wants to "bring lighthearted humour and beauties."
     
    Using collage techniques to break up, reconstruct and change the original appearance of usual things, the artist offers an other version of our reality, a dreamier one.
     
    • Wang Ruohan Fu, 2017 Screen printing on Munken Paper 300g 41.9 x 59.2 cm 16 1/2 x 23 1/2 in Edition of 50
      Wang Ruohan
      Fu, 2017
      Screen printing on Munken Paper 300g
      41.9 x 59.2 cm
      16 1/2 x 23 1/2 in
      Edition of 50
    • Wang Ruohan Mirror , 2018 Acrylic on paper 12 x 15 cm 4 1/2 x 6 in
      Wang Ruohan
      Mirror , 2018
      Acrylic on paper
      12 x 15 cm
      4 1/2 x 6 in
    • Wang Ruohan People under the tree, 2019 Acrylic on paper 12 x 15 cm 4 1/2 x 6 in
      Wang Ruohan
      People under the tree, 2019
      Acrylic on paper
      12 x 15 cm
      4 1/2 x 6 in
    • Wang Ruohan Reaching Peace, 2022 Acrylic on canvas 200 x 200 cm 78 3/4 x 78 3/4 in
      Wang Ruohan
      Reaching Peace, 2022
      Acrylic on canvas
      200 x 200 cm
      78 3/4 x 78 3/4 in
    • Wang Ruohan The Bait, 2021 Risograph printing on Munken Paper 300g 42 x 59.4 cm 16 1/2 x 23 1/2 in Edition of 40
      Wang Ruohan
      The Bait, 2021
      Risograph printing on Munken Paper 300g
      42 x 59.4 cm
      16 1/2 x 23 1/2 in
      Edition of 40
    • Wang Ruohan, Walk Dog in Dream, 2019
      Wang Ruohan, Walk Dog in Dream, 2019
  • "From a technical point of view my work focuses on an interactive experiment between illustration, objective and improvisational aesthetics."

    - Wang Ruohan

  • Learning about New Techniques

    Wang Ruohan, mural work in Jerusalem

    Learning about New Techniques

    "I think my work is always evolving, and the path of development is just like a tree. I am always looking for and exploring the main nerve of creation, but there are always some divergences in the path that make me want to stop by for a moment to try it out."

    - Wang Ruohan

    A graduate of Berlin University of Art, Wang had a strong background in illustration and graphic design already prior to moving to Germany. From there, delving into painting and printing techniques was a seamless affair. Then came animation, outdoor installations, mural works, fashion design… “Itʼs the result of a desire to be constantly evolving. As an artist who studied illustration, I wouldnʼt express my ideas only on paper.” This variety of techniques allows the artist to challenge her limits: “the possibilities of each medium motivate me to explore how far is too far,”  she says.

  • “I would rather be an artist who is not limited to only a few methods, and also one who never stops learning about new techniques.”

    - Wang Ruohan

  • an affinity with the digital

    Wang Ruohan, white cube exhibition

    an affinity with the digital

    Saturated colors, facets of city life combined with elements of nature floating in abstract space, the universe of Wang Ruohan has a virtual quality that recalls the digital space, sometimes integrating animated GIFs or even taking the form of retro-futuristic video animations. Her paintings, drawings and illustrations seem perfectly at home when displayed on a screen, as demonstrated by her strong Instagram account. As she explains, "it is an ideal way to show my work.” 

     

    Wang excels at hopping across online and offline realities, as though there was no separation between both worlds. Whether flashing on her social media feed, hanging on a wall or soaring high on the facade of a tall building, her work feels like one continuum, one unbroken, gloriously colorful fresco. 

  • Wang Ruohan was born in Beijing. She graduated in 2017 from Berlin University of Art. Her work has been presented...

    Wang Ruohan was born in Beijing. She graduated in 2017 from Berlin University of Art. Her work has been presented in important institutions like the Art Museum of Nanjing University of Arts, the Scotland's National Centre for Design and Architecture, the Yuan Art Museum in Chongqing, K11 in Shanghai, and the Deutsches Museum in Munich. She has worked on many collaborations with brands like Nike, UGG, Off-White, The New York Times or The New Yorker. She is currently a professor at the Peter Berens School of Art in Düsseldorf. She lives in Berlin.

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